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Friday, February 19, 2010

Don't buy LOVE..


The day of LOVE draws to a close after having done its bit of spreading the ‘goodness’. Now it’s up to us to take this rejuvenated spirit beyond the bouquets of roses and diamond studded hearts carved in the most valued of metals.


‘What should I get you, ma'am'?
A rose, a bear, I mean teddy bear or some chocolates?’
‘Well, get me love and get it from deep within. Roses wither, teddies wear out and chocolates are digested but love is everlasting, and has no ‘substitute’.
‘Gentlemen, express emotions through actions genuine not ‘symbols’ that are the commercial world’s smart move on buying consumers.’
Feelings can’t be bought, therefore, don’t buy me love,give me what comes from your heart and give it generously. Have no inhibitions, reservations or limitations , this is a gift we've been blest with for the purpose of sharing with the world at large. And, unlike its 'substitutes' it neither fades, nor wears out nor dies. Instead it grows and the more you give of it the more you get. '
This is the answer to my budding teens who are the 'tomorrows' and the bearers of this land.

Monday, February 15, 2010

NOTES FOR UNDERGROUND

STITCHING THE BEYEUX TAPESTRY - REBECCA HAWKES.

First of all I learn to sheathe my mind in a needle,
a shining domestic wand with a steely eye and a sharp bite.
Hovering over the battlefield like a hand-held bird of prey,
it darts and dips it nimble beak into freshly spilled colour,
dining off a raw pink and grey palate of corpeses and savouring
the acrid metal stench of victory.

MIRACLE - YANNIS RITSES(1909-1990)
Translated by Rae Dalwin

A man, before going to bed, put his watch under his pillow.
Then he went to sleep.
Outside the wind was blowing. You who know the miraculous continutity of little motions, understand.
A man, his watch, the wind.
Nothing else.

THE AGEAN - MARIA LQUISA SPAZIANI (1924)
Translated by Beverly Allen

This music has lasted since the word began.
A rock was born among the waters
while tiny waves chatted in a soft universal tongue.
The shell of a sea turtle would not have foretold the guitar.
Your music has always risen to the sky,
green taproot, mother sea, first of all firsts.
You unfold us,
nurturing with music- threat
fable hypnosis, lullaby, roar,
omen, myth,
Little agonies of grit, of wreakage, or joy.

INFERNO - DANTE ALIGHIERI 19265-1321
Translated by Seamus Heaney.

In the middle of the journey of my life
I found myself astray in a dark wood
where the right road had been lost sight of.
Canto 1. 1-3

Sunday, February 14, 2010

Go, Kiss the World- Subroto Bagchi.

This speech was delivered to the Class of 2006 at the IIM (Indian Institute of Management), Bangalore on defining 'SUCCESS" by Subroto Bagchi CEO Mind Tree.

Go Kiss the World – Subroto Bagchi

I was the last child of a small-time government servant, in a family of five brothers. My earliest memory of my father is as that of a District Employment Officer in Koraput, Orissa. It was, and remains as back of beyond as you can imagine. There was no electricity; no primary school nearby and water did not flow out of a tap. As a result, I did not go to school until the age of eight; I was home-schooled. My father used to get transferred every year. The family belongings fit into the back of a jeep – so the family moved from place to place and without any trouble, my mother would set up an establishment and get us going. Raised by a widow who had come as a refugee from the then East Bengal, she was a matriculate when she married my father.

My parents set the foundation of my life and the value system, which makes me what I am today and largely defines what success means to me today.

As District Employment Officer, my father was given a jeep by the government. There was no garage in the Office, so the jeep was parked in our house. My father refused to use it to commute to the office. He told us that the jeep is an expensive resource given by the government, he reiterated to us that it was not ”his jeep” but the government’s jeep. Insisting that he
would use it only to tour the interiors, he would walk to his office on normal days.. He also made sure that we never sat in the government jeep – we could sit in it only when it was stationary.

That was our early childhood lesson in governance – a lesson that corporate managers learn the hard way, some never do.

The driver of the jeep was treated with respect due to any other member of my Father’s office. As small children, we were taught not to call him by his name. We had to use the suffix ‘dada’ whenever we were to refer to him in public or private. When I grew up to own a car and a driver by the name of Raju was appointed – I repeated the lesson to my two small daughters. They have, as a result, grown up to call Raju, ‘Raju Uncle’, very different from many of their friends who refer to their family driver, as ‘my driver’. When I hear that term from a school or college-going person, I cringe.To me, the lesson was significant – you treat small people with more respect than how you treat big people. It is more important to respect your subordinates than your superiors.

Our day used to start with the family huddling around my Mother’s chulha - an earthen fire place she would build at each place of posting where she would cook for the family. There was neither gas, nor electrical stoves.The morning routine started with tea. As the brew was served, Father would ask us to read aloud the editorial page of The Statesman’s ‘muffosil’ edition –
delivered one day late. We did not understand much of what we were reading.But the ritual was meant for us to know that the world was larger than Koraput district and the English I speak today, despite having studied in an Oriya medium school, has to do with that routine. After reading the newspaper aloud, we were told to fold it neatly. Father taught us a simple lesson.

He used to say, “You should leave your newspaper and your toilet, the way you expect to find it”. That lesson was about showing consideration to others. Business begins and ends with that simple precept. Being small children, we were always enamored with advertisements in the newspaper for transistor radios – we did not have one. We saw other people having radios in their homes and each time there was an advertisement of Philips, Murphy or Bush radios, we would ask Father when we could get one. Each time, my Father would reply that we did not need one because he already had five radios – alluding to his five sons. We also did not have a house of our own and would occasionally ask Father as to when, like others, we would live in our own house. He would give a similar reply,” We do not need a house of our own. I already own five houses”. His replies did not gladden our hearts in that instant.

Nonetheless, we learnt that it is important not to measure personal success and sense of well being through material possessions. Government houses seldom came with fences. Mother and I collected twigs and built a small fence. After lunch, my Mother would never sleep. She would take her kitchen utensils and with those she and I would dig the rocky, white ant infested surrounding. We planted flowering bushes. The white ants destroyed them. My mother brought ash from her chulha and mixed it in the earth and we planted the seedlings all over again. This time, they bloomed. At that time, my father’s transfer order came. A few neighbors told my mother why she was taking so much pain to beautify a government house, why
she was planting seeds that would only benefit the next occupant. My mother replied that it did not matter to her that she would not see the flowers in full bloom. She said, “I have to create a bloom in a desert and whenever I am given a new place, I must leave it more beautiful than what I had inherited”.

That was my first lesson in success. It is not about what you create for yourself, it is what you leave behind that defines success. My mother began and galvanized the nation in to patriotic fervor. Other than reading out the newspaper to my mother, I had no clue about how I could be part of the action. So, after reading her the newspaper, every day I would
land up near the University’s water tank, which served the community. I would spend hours under it, imagining that there could be spies who would come to poison the water and I had to watch for them. I would daydream about catching one and how the next day, I would be featured in the newspaper. Unfortunately for me, the spies at war ignored the sleepy town of
Bhubaneswar and I never got a chance to catch one in action.. Yet, that act unlocked my imagination.

Imagination is everything. If we can imagine a future, we can create it, if we can create that future, others will live in it. That is the essence of success. Over the next few years, my mother’s eyesight dimmed but in me she created a larger vision, a vision with which I continue to see the world and, I sense, through my eyes, she was seeing too. As the next few years unfolded, her
vision deteriorated and she was operated for cataract. I remember, when she returned after her operation and she saw my face clearly for the first time she was astonished. She said, “Oh my God, I did not know you were so fair”..I remain mighty pleased with that adulation even till date. Within weeks of getting her sight back, she developed a corneal ulcer and, overnight, became
blind in both eyes. That was 1969. She died in 2002. In all those 32 years of living with blindness, she never complained about her fate even once. Curious to know what she saw with blind eyes, I asked her once if she sees darkness. She replied, “No, I do not see darkness. I only see light even with my eyes closed”. Until she was eighty years of age, she did her morning
yoga everyday, swept her own room and washed her own clothes. To me, success is about the sense of independence; it is about not seeing the world but seeing the light.

Over the many intervening years, I grew up, studied, joined the industry and began to carve my life’s own journey. I began my life as a clerk in a government office, went on to become a Management Trainee with the DCM group and eventually found my life’s calling with the IT industry when fourth generation computers came to India in 1981.. Life took me places – I worked with outstanding people, challenging assignments and traveled all over the world.

In 1992, while I was posted in the US, I learnt that my father, living a retired life with my eldest brother, had suffered a third degree burn injury and was admitted in the Safderjung Hospital in Delhi. I flew back to attend to him – he remained for a few days in critical stage, bandaged from neck to toe. The Safderjung Hospital is a cockroach infested, dirty, inhuman place.
The overworked, under-resourced sisters in the burn ward are both victims and perpetrators of dehumanized life at its worst. One morning, while attending to my Father, I realized that the blood bottle was empty and fearing that air would go into his vein, I asked the attending nurse to change it. She bluntly told me to do it myself. In that horrible theater of death, I was in pain and frustration and anger. Finally when she relented and came, my Father opened his eyes and murmured to her, “Why have you not gone home yet?” Here was a man on his deathbed but more concerned about the overworked nurse than his own state. I was stunned at his stoic self. There I learnt that there is no limit to how concerned you can be for another human being and what the limit of inclusion is you can create. My father died the next day. He was a man whose success was defined by his principles, his frugality, his universalism and his sense of inclusion.

Above all, he taught me that success is your ability to rise above your discomfort, whatever may be your current state. You can, if you want, raise your consciousness above your immediate surroundings. Success is not about building material comforts – the transistor that he never could buy or the house that he never owned. His success was about the legacy he left, the memetic continuity of his ideals that grew beyond the smallness of a ill-paid, unrecognized government servant’s world..

My father was a fervent believer in the British Raj. He sincerely doubted the capability of the post-independence Indian political parties to govern the country. To him, the lowering of the Union Jack was a sad event. My mother was the exact opposite. When Subhash Bose quit the Indian National Congress and came to Dacca, my mother, then a schoolgirl, garlanded him. She learnt to spin khadi and joined an underground movement that trained her in using daggers and swords. Consequently, our household saw diversity in the political outlook of the two. On major issues concerning the world, the Old
Man and the Old Lady had differing opinions. In them, we learnt the power of disagreements, of dialogue and the essence of living with diversity in thinking. Success is not about the ability to create a definitive dogmatic end state; it is about the unfolding of thought processes, of dialogue and continuum.

Two years back, at the age of eighty-two, Mother had a paralytic stroke and was lying in a government hospital in Bhubaneswar. I flew down from the US where I was serving my second stint, to see her. I spent two weeks with her in the hospital as she remained in a paralytic state. She was neither getting better nor moving on. Eventually I had to return to work. While leaving her behind, I kissed her face. In that paralytic state and a garbled voice, she said, “Why are you kissing me, go kiss the world.” Her river was nearing its journey, at the confluence of life and death, this woman who came to India as a refugee, raised by a widowed Mother, no more educated than high school, married to an anonymous government servant whose last salary was Rupees Three Hundred, robbed of her eyesight by fate and crowned by adversity was telling me to go and kiss the world!
Success to me is about Vision. It is the ability to rise above the immediacy of pain. It is about imagination. It is about sensitivity to small people. It is about building inclusion. It is about connectedness to a larger world existence. It is about personal tenacity. It is about giving back more to life than you take out of it. It is about creating extra-ordinary success
with ordinary lives.

Thank you very much; I wish you good luck and God’s speed. Go! Kiss the world.

Saturday, February 13, 2010

First day, second show!


Gutka, panparag, chutki,(mouth fresheners) perpetual chewing and ‘abey yaar, line pey kharey ho. Dhakka kyai ko marta hai?’ Then from some corner, ‘Bhai saab, picture kaisa tha?’
Kajol hain na? Apney dheka na?

This experience is a ’muddledom’ as in E. M Forster’s novel but that’s our trait and we exhibit it with pride in our homeland and a land far from home!
The door opens and yet again we have to be reminded of the queue! Meanwhile, I’m wondering if the seats are on the run. Why else would ‘gentle’ man and even ‘gentler’ ladies break the queue?
On eavesdropping my query is answered, it’s Sharukh and Kajol, the magical pair making a comeback in the highly anticipated Karan Johar film, hence the excitement and the frenzy!
Having safely made it to the seat I’m of the opinion that the storm is calm for the much awaited two to sprinkle their magic. However, that was just my fancy, the minute lights are switched off, there’s a cry of desperation from babies no older than six months and I’m made to wonder again. Question: Why do new mammas drag their six month olds to the show? Will the magic of Sharukh and Kajol fascinate their world of innocence too?
Or, are they doubtful that the 'Dolby' surround isn’t deafening enough!

Incidentally, one of the ‘new moms’ is my neighbour for the night and I’m entrapped by her world . There’s a battle of desperation between the lad and his mom. Mamma’s desperate attempt is to hush him to sleep so that she can happily munch her popcorn and sip coke while slipping into the fantasy world of SRK and Kajol; the lad on the other hand wants his way out. It appears that our mamma didn’t remind the innocent lad that it was her day out, not his.
Oh, I’m taken in by the ‘live show’ instead!

‘Please don’t die, Mandira. No, no, no, don’t die Mandira. Mandira, mere ammi ney kaha hain( Manidira, my mummy says... ’)
This is so much like the stream of consciousness novel; my mind must get tuned to the 'live' and the celluloid all at the same time and register the preaching of both SRK’s ‘ammi’ and my neighbour who goes,
“ Acchey bacchey ki tarha,so jau. Mummy ko picture dekhni hain.’ (Be a good lad and sleep. Mummy needs to watch the movie).

Now the ‘desperation fever’ has caught me and I’m anxious to ask, ‘‘But why did you bring the lad to the cinema? Don’t you think he’s still too young?’
However, I refrain, maintain my calm and decide to go with the flow! The madness is only two and a half hours, I say to myself.
With that reminder, I transcend and toss between the ‘live’ and ‘fantastic’.

Monday, February 1, 2010

Thrives


One killing wasn’t enough
so, the grave was dug,
bones drawn and trampled again.

Traitor and turncoat in real,
but comrade in guise
and make-belief paradise.

Escapes the wrath of the dead
without repentance .
‘Thriving world’ or so it seems!

Wednesday, January 27, 2010

LOSS


While you lie in that peaceful state we cry
Longing for the eyes to open
And the lungs to breathe one more time

The human machine has failed,
Let the soul escape.
Tons of things went unsaid
Now its just effervescence.
Body is mud and the soul is hole.

You see but we've lost sight
You are the air that perfumes our room
Yet, strange is its fragrance.

Black are the days, blacker the nights.
Life cannot replace life
Emptiness is all.

(Lara, sorry, I had to pen this down)

Saturday, January 23, 2010

Purpose of it all...


Soft music fills the room as those nimble fingers strum the chords and the voice proclaims, ‘ Where is love?’ in all its innocence. The only conscious effort is to attain perfection at both, therefore the numberless attempts. On the other hand , 'Where is love?' from 'Oliver!', serves the purpose of soothing and provoking. Gradually the lyric takes shape and begins to pose questions.

It’s the season of love with hearts in plenty and the song sings, ‘Where is love?
Does it fall from skies above?’ I don’t really know if it falls from skies above but surely you’ll find it in all its austerity carved in the deepest of red on display everywhere. Desperate are people to express their deepest feeling through ‘hearts’ that can be bought. However, I do wonder why there’s so much desperation to buy this purest of feeling. And is it for real? Who can guarantee its permanence when life itself is impermanent?
Sometimes it appears that technology has stunted emotions along with deforming the external. Eerie and steely!